Description
MUSE is officially an approved streaming venue for THE MET Opera: LIVE in HD! That’s right! You can experience the world of The MET Opera in your own neighborhood.
Soprano Lisette Oropesa and tenor Lawrence Brownlee star in a new production of Bellini’s final masterpiece, leading a quartet of stars as Elvira and Arturo, who are brought together by love and torn apart by the political rifts of the English Civil War. Baritone Artur Ruciński is Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn is Elvira’s sympathetic uncle, Giorgio. Marco Armiliato conducts the new production, which will be transmitted live from the Met stage to cinemas on January 10.
The company presents the first new production of Bellini’s masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer.
Lisette Oropesa, opera’s spectacular coloratura soprano, stars as Elvira, who loses her mind in three riveting mad scenes.
The exceptional cast also stars celebrated bel canto tenor Lawrence Brownlee as Arturo, with baritone Artur Ruciński and bass-baritone Christian Van Horn as Riccardo and Giorgio.
I Puritani was the final work from Bellini, the great Sicilian exponent of the bel canto style of opera. It was written specifically for the talents of four of the best singers of its day, and the opera’s success depends on the vocal abilities (and artistic sensibilities) of the performers.
Sung in: Italian
Synopsis
ACT I
England, around 1650. Plymouth, a Puritan stronghold, is threatened by siege from the Royalist troops. Distant voices herald the wedding day of Elvira, daughter of Gualtiero, the fortress’s commander. Riccardo enters lamenting that his promised bride, Elvira, loves another man—a Stuart partisan. Her father will not force her to marry against her will, it seems, so Riccardo’s friend Sir Bruno urges him to devote his life to leading the parliamentary forces.
Elvira tells her uncle, Giorgio, that she would rather die than marry Riccardo. Her uncle reassures her that he has persuaded her father to let her marry her lover, Arturo. Although Arturo is a Royalist, he is heralded as he approaches the castle.
Everyone gathers for the wedding celebration and Arturo greets his bride. He learns that King Charles’s widow, Queen Enrichetta, is a prisoner in the castle and soon to be taken to trial in London. Alone with the queen, Arturo offers to save her even if it means his death. Elvira returns with the bridal veil and capriciously places it over Enrichetta’s head. When he is alone again with the queen, Arturo explains that the veil will provide the perfect disguise for escape from the castle. As they are about to leave, Riccardo stops them, determined to kill his rival. Enrichetta separates them and reveals her identity. Riccardo lets them get away, knowing this will ruin Arturo. The others return for the wedding, and Riccardo tells of Arturo’s escape with Enrichetta. Soldiers rush off in pursuit. Elvira, believing herself betrayed, is overcome by madness.
ACT II
The townsfolk mourn Elvira’s mental breakdown. Giorgio explains that she continues to long for Arturo. Riccardo arrives to announce that Arturo has been condemned to death by Parliament. The Puritans depart.
Elvira wanders in, reliving her happy past. In her madness, she mistakes Riccardo for Arturo and dreams of her wedding. When she leaves, Giorgio tries to convince Riccardo to save Arturo. At first indignant, Riccardo is finally moved to help Elvira, and the two men unite in patriotism: if Arturo returns as a friend, he shall live—if as an armed enemy, he shall die.
ACT III
In Elvira’s garden, Arturo reveals that love for her has brought him back to Plymouth. He overhears her sing their old love song and is torn between his affection and his loyalty to the Stuarts. Elvira herself appears and Arturo reassures her that she is his only love. Soldiers rush in to arrest Arturo. Just then, a diplomat arrives with the news of the Royalists’ final defeat and a general amnesty for all the offenders. The shock of this news restores Elvira’s senses, and all rejoice in the peace as Elvira and Arturo embrace their new happiness.
Cast
Giorgio Walton: Christian Van Horn
Creators
Vincenzo Bellini (1801–35) possessed an extraordinary gift for melody and a thorough understanding of the human voice. His premature death—just as he was achieving international success and expanding in new musical directions—is one of the most unfortunate in the history of music. The librettist, Count Carlo Pepoli (1796–1881), was an Italian political exile living among the seething expatriate circles of Paris. For the libretto, Pepoli adapted the play Têtes Rondes et Cavaliers by Jacques-François Ancelot (1794–1854) and X. B. Saintine (1798–1865).
Production: Charles Edwards
Set Designer: Charles Edwards
Costume Designer: Gabrielle Dalton
Lighting Designer: Tim Mitchell
Movement Director: Tim Claydon
C. Graham Berwind, III Chorus Director: Tilman Michael
