Description
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In a truly unmissable event, the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic sopranos: the Irish princess Isolde in Wagnerās meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new staging by Yuval Sharon.Yannick NĆ©zet-SĆ©guin conducts the new production, which will be transmitted live from the Met stage to cinemas on March 21.
One of the worldās greatest Wagnerian artists, Lise Davidsen tackles a pinnacle of the dramatic soprano repertoire, the Irish princess Isolde, opposite heroic tenor Michael Spyres as the love-drunk Tristan in Wagnerās transcendent epic. Davidsen returns to the Met after celebrated turns in Beethovenās Fidelio (2025), Pucciniās Tosca (2024), Verdiās La Forza del Destino (2024), and Straussās Der Rosenkavalier (2023) and Ariadne auf Naxos (2022).
Yuval Sharonāhailed by The New York Times as āthe most visionary opera director of his generationā and the first American to direct an opera at the famed Wagner festival in Bayreuthā introduces an epic new production of Tristan und Isolde, which marks the companyās first performances of the opera in ten years and Music Director Yannick NĆ©zet-SĆ©guinās first time conducting it at the Met.
A pinnacle of classical music, Tristan und Isolde is built on the idea of a great yearning, irresistible and self-perpetuating, that cannot be fulfilled in this life. The prelude sweeps the listener into an ecstatic yet tortuous world of longing, and the vocal parts are of unique stature. The opera culminates in Isoldeās soaring final aria, āMild und leise.ā
Sung in: German
Synopsis
ACT I
Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailorās song about an Irish girl, and her maid, BrangaĢne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isoldeās fianceĢ, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells BrangaĢne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isoldeās knowledge of herbs and magic, which she learned from her mother. Isolde explains to BrangaĢne that she recognized Tristan, but her determination to take revenge for Moroldās death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. BrangaĢne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks BrangaĢne to prepare her motherās death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Moroldās death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each otherās arms. BrangaĢne admits that she has in fact mixed a love potion, as sailorsā voices announce the shipās arrival in Cornwall.
ACT II
In the garden of Markeās castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the kingās departure on a hunting party. Isolde believes that the party is far off, but BrangaĢne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristanās friend. She sends BrangaĢne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the nightās embrace. BrangaĢneās distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenalās arms.
ACT III
Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isoldeās ship approaching, but the shepherdās mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isoldeās medicine had killed him then instead of making him suffer now. The shepherdās tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. BrangaĢneās voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the kingās soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while BrangaĢne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.
Cast
Creators
Richard Wagner (1813ā83) was the controversial creator of music-drama masterpieces that stand at the center of todayās operatic repertory. An artistic revolutionary who reimagined every supposition about theater, Wagner insisted that words and music were equals in his works. This approach led to the idea of the Gesamtkunstwerk, or ātotal work of art,ā combining music, poetry, architecture, painting, and other disciplines, a notion that has had an impact on creative fields far beyond opera.
Production: Yuval Sharon
Set Designer: Es Devlin
Costume Designer:Ā Clint Ramos
Lighting Designer: John Torres
Video Designer:Ā Ruth Hogben
Choreographer:Ā Annie-B Parson
Projection Designer:Ā Jason H Thompson
C. Graham Berwind, III Chorus Director: Tilman Michael